Showing posts with label Grayson Perry. Show all posts
Showing posts with label Grayson Perry. Show all posts

10 October 2016

A stroll around London's Frieze Art Fair 2016

London hosts a large number of art fairs in October but the daddy of them all is Frieze where the world's top galleries gather in a huge marquee in Regent's Park to show off their best wares. 

I go each year with a friend who lectures in Fine Art so I get the best low down on what we are seeing. You can discover new artists but also find new work from established favourites. 

I didn't see much I would want to buy but was sure there was little I could afford, although it's hard to tell as it is a world without price tags!


Here are just a few of the works you might have seen if you went to Frieze and for those who didn't go, have a stroll around with me.  This are by no means the best works on display but just some which caught my eye. 


Melik Ohanian

Mona Hatoum

Paulina Olowska
Paulina Olowska 

Michael Landy 
Michael Landy - detail 


Peter Piller

Damien Hirst 

Jake and Dinos Chapman

Tracey Emin

Damien Hirst - detail  



Raqib Shaw 
Raqib Shaw - detail 





Grayson Perry 

Grayson Perry - detail 
Grayson Perry - detail 

Grayson Perry 

Haegue Yang 


Jesse Darling 

Berta Fischer 


The toilets had been turned into an artwork by Julie Verhoeven and were great fun - loud music, dressed toilet seats and scattered pieces around the wash basins. I'm voting for more interesting toilets everywhere!
 
It's an intense afternoon, trying to see as much as possible inside the marquee so it's good to round off the day with a wander around the sculpture park just outside.  An added bonus is that you can explore these pieces for free!

Claude Lalanne 

Conrad Shawcross

Jean Dubuffet 

Barry Flanagan
Can't wait for next year!

I hope you enjoyed a stroll around Frieze. Follow me on Twitter to explore more of London,
Sue  @itsyourlondon
www.itsyourlondon.co.uk

3 November 2013

Two great exhibitions in one with thanks to our Queen Elizabeth!

There is a gallery at Buckingham Palace called, unsurprisingly, the Queen's Gallery, which I've visited several times and have seen some excellent exhibitions including Scott and Shackleton in 2011. This year they have excelled themselves by putting on 2 shows at the same time and I was lucky enough to be invited to the preview. 

The posters are intriguing and when I delved into the early publicity I was hooked - how was the gallery going to make sense for us of a 17th century little know Italian artist and 100 plus brand new works from the Royal Academy? As the curator, Martin Clayton, said: "On the surface these two exhibitions might seem very different but they are surprisingly complementary. Both show the work of artists who have pushed the boundaries".


The Castiglione show is title 'Lost Genius' because his work has been out of the public gaze for so long and also because his tempestuous life lost him success and recognition during his lifetime. His paintings are wonderful and, as we learned, he painted with oils directly on to paper and you can see how the oils have bled through to the reverse. He was the first artist to use monotype as a method, so called because only one print is made from each engraving (except for rare circumstances)


This poster greets you with the self portrait faintly printed
Self portrait print



The main exhibition room
How the work displayed

Sacred and Profane Love  Mid 1630s

The Crossing of the Red Sea mid to late 1630s
The front of one painting

The reverse of the same painting


Omnia vanitas Early to mid 1650s

Castiglione was born in 1609 in Genoa, a cosmopolitan city that probably made him open to a wider world and new possibilities. He began in the pastoral tradition using oil on paper but moved onto Rome and looked to reinvent himself, examining other artists' work and incorporating their techniques, finding he was most keen on Poussin. 

Back in Genoa he was poised to be a truly great artist through his painting and print- making but his temper got the better of him (as had happened previously in his career) and he had to flee his home town in disguise!

He found stability back in Rome, continued his work and introduced some colour into his paintings, as we see in the later part of the exhibition, but he died at 55 years of age.  His work was appreciated after his death but by the 19th century his popularity had waned and his work has been little seen on this country until this new show at the Queen's Gallery. The Queen has a major collection of his work, normally held in Windsor Castle.

An unusual 2nd print from a monotype  Mid 1650s

Later painting when Castliglione introduced some colour

 Quite overwhelmed by part one of the exhibition we then moved onto Gifted, which gave us a wonderful tour around the work of many of the best artists in this country. The Royal Academy has a long tradition of giving gifts to the monarch since they were founded in 1768.  For the Diamond Jubilee the Royal Academy of Arts asked each of its academicians to send in one piece of their work on paper and over one hundred pieces were submitted.  Seven red silk covered boxes of the finest contemporary British graphic art arrived and the staff had the privilege of opening them, not knowing what would be inside. 

I was bowled over by the Queen's Gallery's first contemporary exhibition where one great piece was hung next to another and another - luckily the curator's job was not to select but to display them all to their best advantage.  It was a dazzling who's who from so many familiar names doing what they do so well but also a chance to see work on paper from artists more well know for other media. 

The silk covered boxes

Anish Kapoor in 2 D!

Sir Anthony Caro away from his sculptures

Lord Foster - a School for Sierra Leone

Grayson Perry

Anthony Gormley

Tracey Emin

Professor Richard Wilson having a bit of fun!

Professor Michael Sandle

Professor Chris Orr - View from Cleopatra's Needle

Professor Maurice Cockrill
Turning back as we left I spotted the very inviting, and rather over the top, entrance closed until the grand opening the following day.  Both exhibitions are well worth a visit so do put them on your list - and there's a great shop for Christmas presents on the way out!



Let's see what next week has in store....

Bye for now.
Sue
@itsyourlondon
www.itsyourlondon.co.uk

25 January 2011

Amazing art fair and secret Jewish London

There are two big highlights this week which I wanted to tell you about and I have lots of photos of each. One was the massive London Art Fair which lots of new stuff but some very big names too. The other was a walk around Jewish London which was fascinating.

Our walk started at Tower Hill on a damp, somewhat chilly Sunday morning but the two and a half hours with Ruth our excellent guide sped past. I had been invited on this walking tour by Context Travel who use very well qualified guides for small groups. (http://www.contexttravel.com/). There were 4 of us so plenty of time to ask lots of questions and as we had so much to get through Ruth kindly gave us extra time on our tour (and some Jewish sweets at the end which was really kind). We saw the site of the first synagogue after the Jews returned to the UK (after earlier banishment), where they used to live (the simply named Jewry Street) and signs describing the care given to new poor arrivals. We entered the Bevis Marks synagogue which has the record of the holding prayers for the longest uninterrupted period of time in Europe since its opening in 1701 and we had a talk about the history of this grand yet simply decorated building which was built and furnished by quakers with their starkly uncomfortable and original benches!
We walked around the City and Shoreditch area learning about the Jewish life for those reaching London and how they were looked after by various organisation and saw plaques and buildings including a soup kitchen for the 'Jewish poor' . In the unlikeliest of places, the Christian church by Spitalfields market we saw plaques to the Christians who looked after the Jews and sought to convert them! One talked of the work for the 'welfare of God's ancient people' with hebrew inscriptions in a Christian church - most unexpected. I've missed out loads of things we saw including the moving sculpture to the kindertransport in Liverpool Street (trying to squeeze this one in!) but hopefully you'll see that there is plenty to see and learn about on London walks.

The photos are - , blue plaque to the organisation who helped the poor Jewish immigrants, the stone marking William Willson's work, the soup kitchen (now posh flats)Bevis Marks entrance, the site of the first but now destroyed synagogue and the Jewry Street sign.







As a complete contrast the rather posh indoor event that is the the London Art Fair offers an amazing range of work and some truly fabulous stuff including big household names as well as the less know - as yet! The prices were mostly outside of our means in the main hall as they were in the 1os of thousands of pounds but there was work by Warhol, Hirst and Emin so this is hardly surprising. The photos tell you more than words so they are: an amazing drawer set made of porcelain; Grayson Perry's Walthamstow tapestry with the stages of life woven with hundreds of brand names and figures; a wonderful stone head; amazing rubber green feet; Andy Warhol's Mao head; Elizabeth Frink's head sculpture; and, Damien Hirst's butterfly wall. There was so much more in the 3 levels of galleries and stand and we needed a good couple of hours just to get an overview.

That's all for this week so hope you enjoyed it. Looking forward to next week's....
Bye for now,
Sue
www.itsyourlondon.co.uk